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    !!!

    A quick note before Calculus: I worked really, really hard on this essay for Richard Powers’ Galatea 2.2 that I just got back from my prof today, right? (I’ll be posting the submitted draft soon.) What’s cool, however, is that my prof suggested that I submit this essay for the Humanities and Social Sciences Essay Contest later this year. My response: (!!!). (This means lots of squeaky happiness and jumping around and waving the essay around.) I’m so on a cloud right now. All the drama of my roommate and her friends, all the difficulty of working with Hitler incarnate on a Logic Design project, and all my worries over…

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    Richard Powers’ Galatea 2.2

    Featuring the author as the main character, Richard Powers’ Galatea 2.2 is an exploration of the potentials of both artificial intelligence and humans to adapt. The lines defining intelligence and consciousness are challenged and blurred, as are the lines defining the main character’s life. Essentially, two storylines unfold in this novel. The first is the development of a series of artificially intelligent computers, using bottom-up, connectionist techniques, for the purpose of passing the Master’s Comprehensive Exam, an exam given to those going for Master’s degrees in literature. Each implementation is more capable of adapting and learning than the previous, and culminates in the creation of Implementation H, or Helen. Whether…

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    Thanksgiving.

    It would appear that I will be going home for Thanksgiving. My mother called yesterday and said, “Do you really want to go to Cincinnatti and stay with your Aunt Peaches and all the people she wants to pass you around to?” I told her that, sure, I didn’t mind (although I hate moving from place to place in short jumps–I can’t do hotel-living, even if it’s someone’s house). She asked me if I were given a plane ticket, would I come home. Right then, I felt so bad that I hadn’t at least pretended to be homesick for a while. It’s not that I think she’s been spending her…

  • On Life and Love

    Oh, the Agony

    Last night, I joined some girls on my floor and a women’s fraternity on a outing to a place called Pumpkin Works. Pumpkin Works is a plaze with various mazes (and other things like hayrides, methinks). Their star attraction is a 6-acre maze, cut from a corn field, in differnet shapes each year. So you go at night, with some buddies and a flashnight, and try to make your way through the maze. Similarly, there’s a maze in which you weave your way through extremely claustrophobia-inducing walkways of hay with low ceilings, interspersed with short bits of crawling and the like. They have other stuff, too, but those are the…

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    Well, Fuck Me with a Fork

    Actually, don’t. But guess who is in my Major American Writers class next term, the class I was looking forward to quite a bit, despite my tendency to shy away from exclusively “American” topics in literature? The Thorn’s very own George Dawkins. In fact, there are too many people in that class I know. And some of them are actually somewhat literary-minded, which means my ideas (such as they are) will sound even more like shit, which means I can plan on being quiet and simply absorbing for probably most of the quarter. It’s twelfth grade English all over again. There will be those three or four people who bunt…